Shots.

* Shot 1 – Extreme Wide Shot - an establishing shot. – A wide shot of the alleyway. We want this shot to show the characters are ‘trapped’ in this environment. – we’ll rely on street lighting to set the scene.

* Shot 2 – Very Wide Shot – This gives us a sense of the environment, shows the gritty city scene. – Closer to the alleyway/street.

* Shot 3 – Mid shot – This shows our characters but doesn’t give us a full view of the boys and what they’re up to.

* Shot 4 – Close up – Hands showing pushes and shoves from the boys. (In a friendly manner)

* Shot 5 – Cut in - one/two of the boys mouths within the shot, shows them smiling. (Handheld/unsteady shot.)

* Shot 6 - Mid shot (from a worms eye view) – this shot will empower the boys, as though they’re in charge. With them looking all the same way (Towards where they are going to walk, Boy A nods to signal the rest of the group to follow)

* Shot 7 – Over the shoulder shot – Camera walks with the boys, this makes it up close and personal, as though the audience is in with the boys. This is a lengthy shot of them walking to almost create a false sense of security/a calm atmosphere.

* Shot 8 – Medium shot (facing the boys) – The boys stop in their tracks, Boy A discreetly points to something.

* Shot 9 – Medium close up (facing the boys) Moves into an over the shoulder shot (Mid shot). We see Boy A and B smile, as they walk towards the house, it moves into an over the shoulder as we follow the boys towards the house, they all crouch down by the window.

* Shot 10 – Medium close up – We see Boy A’s face, he’s smiling and breathing hard, his eyes look up.

* Shot 11 – Reverse shot/Medium close up/Point-of-view - This is where we see the ‘valuable item’ in the window through the characters eyes.

* Shot 12 – Mid shot – The group of boys is crouched, the camera is slightly above their heads, there is a moment where they glance at each other and then quickly get up nearly out of frame.

* Shot 13 – Close up – silence is held for a while, with a shot side on from the door, inline with the wall. (Slow-mo.) A foot/leg comes into shot bent at the knee and extending to kick the door, the leg is

centimeters away from the door. (Real time) The leg impacts the door. (Sound is amplified.)

* Shot 14 – Medium close up/Over the shoulder – (Handheld/unsteady shot.) The group of boys fill the frame, positioned so we can see all of them. Another kick is taken to the door.

* Shot 15 – Over the shoulder – Half of Boy B’s face is showing. (Boys face in focus but the door isn’t.) We see reaction on Boy B’s face when the door is kicked.

* Shot 16 – Mid shot – Back to side on, in line with the door. We see one last boot to the door and it smashes open.

Scene 2 – Evening/Night time. INT.

* Shot 1 – Over the Shoulder – Camera follows the boys into the house (Running). Noise is amplified.

* Shot 2 – Continued over the shoulder shot - We see Boy A and B open the first door they see whilst Boy C and D run up the stairs.

* Shot 3 – Wide shot – Camera is inside the room, we see the reaction on the boy’s faces. They stop dead. A hand is seen out of focus in the lower middle of the frame (Wearing a wedding ring). The camera switches focus onto the hand so that the boys are blurred.

* Shot 4 – Medium close up – Side on to the boys in the doorway, the focus is on Boy A, whilst one is out of focus in the background. This shot picks up all the detail and emotion on his face. The blurred out Boy B turns to face his friends, the camera focuses on him and his face is filled with fear/panic.

* Shot 5 – Wide shot – Camera is inside the room again. The hand is out of focus in shot. Boy A and B start to scramble back into the hallway.

* Shot 6 – Mid shot from outside the front door (Puts the boys in a frame) – We see Boy B run upstairs and Boy A into another room. (The audience think they’re going to get the other boys so they can run away.) Once the boys are out of frame, hold this shot for slightly longer to add anticipation. We see all the boys run back down the stairs and into the front room.

* Shot 7 - Wide shot – Hand in focus, as the boys get close to the hand and kneel down, they come into focus as well. They start putting towels down, etc. Boy C and D are stood in the doorway.

* Shot 8 – Medium close up – The woman’s face, eyes closed, focused details of the face, movement in the background from the boys. 

* Shot 9 – Over the shoulder – Boy B looks up from the woman on the floor. His facial expression is shocked.

* Shot 10 – Noddy Shot – A reverse over the shoulder shot of Boy A nodding with almost an identical expression.

* Shot 11 – Point-of-view shot – Boy A and B are above the camera, looking into the lens to give the impression they are looking at the woman. 

* Shot 12 – Mid shot. Boy B exits the frame, pulling his phone out of his pocket.

* Shot 13 – Medium close up – (Camera in the hall way) Boy C & D move out of the way of Boy B. Boy B is on his phone, dial tone can be heard and as he walks past the camera and out the door, ‘999, what service do you require’ is heard.

* Shot 14 – Mid shot/Worms eye view – Boy A stands over the body, he starts to wipe his head of sweat.

* Shot 15 – Point of view/handheld/unsteady shot – From Boy B’s point of view, running back into the house, and looking at Boy A stood over the woman. This is the first time we see the woman’s full body. 

* Shot 16 – Over the shoulder/Mid shot – Boy A is facing the floor. Boy B is in the background. Boy A turns around and Boy B signals for them to leave. (Sirens are heard.)

* Shot 17 – Mid shot – Boy A leaves the house, blue lights flash across his face.

* Shot 18 – Wide shot – The boys run.

* Shot 19 – Mid Shot/Handheld/Unsteady shot – All boys scramble through the house, camera is behind them, raised up and following. (Birdseye view.)

* Shot 20 – Medium close up – Shoes the boy’s shoes as they run out of the door, the door is slammed behind them.

Scene 3 - Evening/Night time. INT.

* Shot 1 – Medium close up/Item of value gone